1. In the scene where Mildred and Montag read books together, what are their separate reactions? Mildred has a fear of being caught. She want to have no connections to the books. Montag want to learn so many things he does not know. 2. What is the effect throughout sections I and II, of the bombers flying over? Not able to understand the society they live in. 3. Who is Professor Faber? A retired English Professor. See as a mentor. 4. Montag’s reaction to the commercial on the subway is a turning point in his life. How does he react and why? Jams the seashells in his ears. Montag cannot longer hind who he has become. 5. What argument does Faber make for books? Faber say they are books that contain the world. 6. What is the “small green metal object”? 7. What does the White Clown show lead you to believe about television programming in this society? The White Clown is nada. It is empty, no point in anything. 8. Why does Mrs. Phelps cry wh...
Art Program/ Visual Art?- David Bautista "Art does not define you, you are the one that defines art" Hours and hours of work Inspired by artist How to live a healthy life style?- Alex Garcia No soda and juice Workouts Qualified for varsity cross country CIF
pgs. 114-122 1.Why did the Hound attack Montag? The Hounds wanted to stop Montag. He is a criminal after he killed Beatty. The hounds tried to inject Montag with something that caused him numbness. 2. How did Montag defend himself? Montag was quick to turn the flamethrower to the hound. He burned it until be saw the metal light with red yellow colors. 3. What did Montag realize about Beatty? How can Beatty know so much about what is wrong with book, he can even do a whole presentation. Most important Beatty wanted to die. 4. Where did Montag go? Montag was running towards Faber's house, he had no other place to go expect Faber. No friends except Faber. 5. What happened when Montag crossed the street? A beetle's engine roared as he crossed the street. Montag held tight of his four books, tried to be calm. Each time it was coming closer and closer.
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